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Egyptian Journal of Archaeological and Restoration Studies
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Elsayed, Y. (2019). CONSERVATION OF THE FLOWERS CANVAS PAINTING (1) AT THE EGYPTIAN AGRICULTURAL MUSEUM. Egyptian Journal of Archaeological and Restoration Studies, 9(1), 39-51. doi: 10.21608/ejars.2019.38436
Yosr Elsayed. "CONSERVATION OF THE FLOWERS CANVAS PAINTING (1) AT THE EGYPTIAN AGRICULTURAL MUSEUM". Egyptian Journal of Archaeological and Restoration Studies, 9, 1, 2019, 39-51. doi: 10.21608/ejars.2019.38436
Elsayed, Y. (2019). 'CONSERVATION OF THE FLOWERS CANVAS PAINTING (1) AT THE EGYPTIAN AGRICULTURAL MUSEUM', Egyptian Journal of Archaeological and Restoration Studies, 9(1), pp. 39-51. doi: 10.21608/ejars.2019.38436
Elsayed, Y. CONSERVATION OF THE FLOWERS CANVAS PAINTING (1) AT THE EGYPTIAN AGRICULTURAL MUSEUM. Egyptian Journal of Archaeological and Restoration Studies, 2019; 9(1): 39-51. doi: 10.21608/ejars.2019.38436

CONSERVATION OF THE FLOWERS CANVAS PAINTING (1) AT THE EGYPTIAN AGRICULTURAL MUSEUM

Article 4, Volume 9, Issue 1, June 2019, Page 39-51  XML PDF (1.65 MB)
Document Type: Original Article
DOI: 10.21608/ejars.2019.38436
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Author
Yosr Elsayedorcid
Conservation Department, Faculty of Archaeology, Damietta University
Abstract
The present study aims to examine and treat the flowers canvas painting at the Egyptian Agric-ultural Museum. It is divided into three parts: a) USBDM, SEM-EDX, XRD, GC and FTIR studies, which revealed that the object is suffering from deterioration forms, e.g. ruptures, dust, cracks, missing parts, brittleness, fragility, acidified canvas, and incompatible treatments. The coloring materials are: The green is celadonite (K(Ca, Mg, Fe2) (Fe3Al) [Si4O10](OH)2), the red is hematite (Fe2O3), the blue is lazurite (Na,Ca)8(AlSiO4)6(SO4,S,Cl)2), the beige is hematite (Fe2O3) mixed with barite (BaSO4) and zincite (ZnO), and the gray is carbon black (C). Additionally the ground layer consists of hydrocerussite PbCO3.(OH)2, cerussite Pb3CO3 and zincite ZnO binded with animal glue. The oil media is the poppy seed oil. b) The experimental part showed that 7% Beva371 in toluene is more suitable than the fish glue for object consolidation. c) The applied part covered cleaning, consolidation, patching, lining, completing the missing parts in the painting and ground layers and varnishing.
Keywords
Canvas painting; Binding media; investigation; conservation; Lining; Inpainting
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